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Criminology. Victimology --- Iconography --- Criminal law. Criminal procedure --- anno 1800-1999 --- Crime in art --- Punishment in art --- Violence in art --- Criminalité dans l'art --- Punition dans l'art --- Violence dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- misdaad --- guillotine --- femme fatale --- hekserij --- wetenschappen --- geneeskunde --- psychiatrie --- gelaatsuitdrukkingen --- Marat, Jean-Paul --- Hugo, Victor --- Rouault, Georges --- Bertillon, Alphonse --- Géricault, Théodore --- Cézanne, Paul --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Crime --- --Peine --- --Histoire de l'art --- --Peinture --- --Exposition --- --2010 --- --Paris --- --catalogue --- --Crime in art --- Crimes et criminels --- Peines --- Art --- Dans l'art --- Thèmes, motifs --- Criminalité dans l'art --- departement Beeldende Kunst 10 --- kunstgeschiedenis --- Dans l'art. --- Thèmes, motifs. --- Criminalité --- tovernarij, hekserij --- geneeskunde, medische wetenschappen --- gelaatsuitdrukkingen, fysionomie --- tovenarij, hekserij --- Peine --- Histoire de l'art --- Peinture --- Exposition --- Paris --- misdaad. --- femme fatale. --- tovenarij, hekserij. --- wetenschappen. --- geneeskunde, medische wetenschappen. --- psychiatrie. --- gelaatsuitdrukkingen, fysionomie. --- Marat, Jean-Paul. --- Hugo, Victor. --- Rouault, Georges. --- Bertillon, Alphonse. --- Géricault, Théodore. --- Cézanne, Paul. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw.
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Applied arts. Arts and crafts --- Ambacht in de kunst --- Artisanat dans l'art --- Handicraft in art --- Pictorial works --- MAD-faculty 15 --- kunstnijverheid --- ambachten
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homosexuality --- identity --- Art --- sexuality --- anno 2000-2009 --- anno 1900-1999 --- anno 1800-1899 --- anno 2010-2019 --- Gender identity --- Queer theory --- Homosexuality and art --- Homosexuality in art --- Art, Modern --- Identité sexuelle --- Théorie allosexuelle --- Homosexualité et art --- Homosexualité dans l'art --- Identité sexuelle --- Théorie allosexuelle --- Homosexualité et art --- Homosexualité dans l'art --- Gender identity. --- MAD-faculty 14 --- hedendaagse kunst en cultuur --- homoseksualiteit
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Hockney, David --- Landscapes in art --- Paysages dans l'art --- Exhibitions. --- Expositions --- Hockney, David. --- landschappen --- Gellée, Claude --- Hockney, David, --- Exhibitions --- MAD-faculty 12 --- hedendaagse schilderkunst --- Lorrain, Claude --- landschappen. --- Lorrain, Claude. --- Hockney, David, - 1937 --- -Hockney, David
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performance art --- performances (kunst) --- Devos, Danny --- Figure humaine dans l'art --- Human body in art --- Human figure in art --- Menselijk figuur in kunst --- Art --- Catalogs --- Performance art --- MAD-faculty 15 --- hedendaagse kunstenaars --- body art
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Delvoye, Wim --- Culture populaire dans l'art --- Popcultuur in de kunst --- Populaire cultuur in de kunst --- Popular culture in art --- Volkscultuur in de kunst --- Criticism and interpretation --- Contemporary art --- Belgium --- MAD-faculty 12 --- hedendaagse kunstenaars --- 20ste-21ste eeuw
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Physiology: reproduction & development. Ages of life --- Iconography --- Death in art --- Dood in de kunst --- Mort dans l'art --- Death in art. --- Death. --- Death --- Research --- departement Beeldende Kunst 09 --- kunst en wetenschap
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Body [Human ] in art --- Corps humain dans l'art --- Human body in art --- Lichaam [Menselijk ] in de kunst --- Menselijk lichaam in kunst --- Anatomy, Artistic --- Human figure in art --- Medicine and art --- Art, European --- Anatomie artistique --- Médecine et art --- Art européen --- Exhibitions. --- Expositions --- Médecine et art --- Art européen --- Human body --- History --- Anatomy in art --- departement Beeldende Kunst 08 --- anatomietekenen --- tentoonstellingscatalogus --- Academie Royale des Beaux-Arts de Bruxelles --- ANATOMIE ARTISTIQUE --- CORPS HUMAIN --- ICONOGRAPHIE --- MEDECINE --- DANS L'ART
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This work is filled with 350 works by well-known artists such as Joyce Kozloff, Ed Ruscha, Julian Schnabel, and Olafer Eliasson. All are wayfinders, charting the highways and byways of the spirit and the topography of the soul.
Cartography in art. --- Art, Modern --- Cartography in art --- Cartographie dans l'art --- Schnabel, Julian, --- Kozloff Joyce --- Mackenzie Landon --- Calame Ingrid --- Kuitca Guillermo --- Lin Maya --- 912 <064> --- Cartografie. Kaarten. Plattegronden. Atlassen--Tentoonstellingscatalogi. Museumcatalogi --- cartografie --- cartography [discipline] --- Art --- thema's in de kunst --- theme --- anno 2000-2099 --- Maps in art --- 7.038/039 --- eenentwintigste eeuw --- kunst --- twintigste eeuw --- Cartographie --- Iconographie --- Art contemporain --- Cartes dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Kentridge, William, --- departement Beeldende Kunst 10 --- hedendaagse kunst --- motieven --- Maps in art - Exhibitions --- Cartography in art - Exhibitions
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"The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes--in some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, from the cave paintings of Lascaux, the works of Renaissance masters, to modern paintings and stained glass by Mark Rothko and Josef Albers."--Inside front jacket flap.
History of civilization --- Iconography --- Semiotics --- psychological primary colors --- red [color] --- iconography --- Red. --- Color --- Symbolism of colors --- Red in art. --- Symbolism of colors. --- Rouge. --- Couleur --- Symbolisme des couleurs --- Rouge dans l'art. --- Psychological aspects --- History. --- Social aspects --- Psychological aspects. --- Social aspects. --- Aspect psychologique --- Histoire. --- Aspect social --- MAD-faculty 18 --- kleurenpsychologie --- kleuren in kunst --- cultuurgeschiedenis --- kleurgebruik
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